Wow, we're finally at the end of my reviews for both "The Omen" and "Child's Play" movie series. Time to celebrate!(
video link)
Ah, but one more thing remains. The 2006 remake. Don't worry, I'd already made the mistake of buying this cheaply from the thift shop down the road. In fact I'd already watched it once and given up on it part way through. I sat down for it this time in full snark mode and found it somewhat less disappointing when expecting absolutely nothing from it.
The Omen (2006)This remake of The Omen had a pretty high profile release with marketing proudly noting the release date of 06/06/06. But clearly it wasn't viewed as a particularly big success. While it more than broke even (if we presume the break even point is twice the budget it made nearly 70 million worldwide), it did extremely poorly with critics (the current RT score is 27%). What is perhaps more worthy of note is that going by the US box office figures (since box office mojo does not appear to have the worldwide figures for the original "The Omen" movie) the original movie actually did marginally better back in the seventies (without correcting for inflation) than this fairly high budget remake.
So perhaps it is no surprise that this film never had any sequels. There was certainly nothing in the plot that would have prevented the film series progressing in a similar way. The plot is pretty much frame for frame identical. So what I'm going to do now is compare the original and the remake directly. If you have see the original already there is nothing to be spoilt since the plots of the two movies are identical. If you haven't seen the original seventies version of "The Omen" yet, I'd note that the main thing about that film is the atmosphere rather than the plot, but even so I'd insist that you should probably watch the original seventies movie before reading this review. In case you hadn't worked out already, the original is better.
Okay so, in case any skim-readers missed that, THIS REVIEW CONTAINS SPOILERS OF THE 1976 ORIGINAL MOVIE OF "THE OMEN" (and by extension, for the 2006 remake obviously, since they are practically the same film shot-for-shot). IF YOU HAVEN'T SEEN "THE OMEN" (1976) EXPECT SPOILERS!!!
The most positive thing about "The Omen" remake from 2006 (and I'm not even joking, this is a really big point in the movie's favour) is some of the casting choices. In the original you'll remember (and if you don't, I'll remind you) that there was a crazy priest played by Patrick Troughton (second of the Doctors on "Doctor Who" in case you don't recognise the name) and a photographer played by David Warner (baddie on "Time Bandits", klingon ambassador from "Star Trek VI", servant of Master Control in "Tron", and just generally awesome guy. Ooooh and he's in "Teenage Mutant Ninja Turtles 2: Secret Of The Ooze"!). Turns out Leo McKern, who plays the archaeologist with a box of sacred daggers and knowledge of how to use them, is actually quite an accomplished actor. I'm not sure I've seen him in anything else myself, but he does play Number Two from the tv series "The Prisoner".
Anyway all three of those roles have been taken over by some fantastic actors for the remake. These actors are such powerhouses that every single scene they are given suddenly brims with drama and tension generally missing from the other scenes.
First of all, the crazy priest is played by none other than Pete Postletwaite who people may know from a number of films including: "In The Name Of The Father", "Alien 3", "Brassed Off", "Amistad" and "The Town". Sadly he is no longer with us, but he is a fantastic actor and no less brilliant here. Patrick Troughton may have been one of the best of the Doctors, but he's still not in the same league as Pete Postletwaite. See here side-by-side the priest from the original "The Omen" and in the remake:
And see here Patrick Troughton about to be hit by a falling bar in the original and a CGI bar quickly falling towards Pete Postlethwaite in the remake:
The replacement for the photographer in the remake is none other than David Thewlis who I suspect most will recognise best as Remus Lupin from the "Harry Potter" movies. He becomes almost like a mentor figure to Harry in "Harry Potter and the Prisoner of Azkaban". He also plays a central role in both "The Boy With The Striped Pyjamas" and "The Lady", which were kind of average but he is great in both of them. As great as I think David Warner is, I think that David Thewlis actually out-does him here. Big shoes to fill and David Thewlis rises to the challenge.
See below the photgrapher role in both the original and the remake:
Finally, and I didn't see this one until I decided to watch the remake all the way through for this review, the new slightly unhinged archaeologist is played by Michael Gambon. Michael Gambon really is one of my favourite actors. He's in the tv mini-series "Longitude", the Doctor Who episode "A Christmas Carol", and he presented the "Greek Myths" series of "Jim Henson's The Storyteller". He's in the movies "Layer Cake", "The King's Speech" ... oh and he plays Dumbledore in those Harry Potter movies too... He really brings something new to this role, coming off particularly alarming, eccentric and insistent on bloody child murder.
See below the role of the archaeologist Buchanhagen in both the original and the remake:
Sadly the main stars are not very good in this at all. Gregory Peck is replaced by Liev Schreiber and Lee Remick is replaced by Julia Stiles. Here are the two of them:
Now I actually quite like Liev Schrieber. He's generally best at playing bad guys and I thought he was pretty good in films like "The Manchurian Candidate", "Salt" and "The Painted Veil". However, here there's no comparison between Gregory Peck's highly expressive face and Liev Schreiber's mostly blank face. (Though admittedly Liev Schreiber does some convincing crying on occasion.) Of course Liev Schreiber is younger, but even so I'd expect a little more than he gives here. While the previous three roles I mentioned are played by such fantastic powerhouses, it feels like someone like Liev Schreiber is not able to counteract the lame direction here.
Why am I so quick to blame the director? Well, actually if an actor generally gives better performances my first instinct is normally to blame the director. However, I have more reasons than normal on this occasion. This is a film by John Moore, the same director who delighted me so little with his horrendous cash-in Die Hard movie "A Good Day To Die Hard" earlier this year. After remaking "The Omen" and before destroying the Die Hard franchise, his only other film in between was the widely despised movie of "Max Payne".
And I'd also note that I think this film could probably have got by better than it did with an average central performance. Liev Schreiber isn't exactly bad here, but he's uninspiring. The direction in the movie generally isn't amazing. It's pretty clear that most shots have been almost directly taken from the original, rather than doing anything new and interesting with the material. Also the latin chanting of the original soundtrack is entirely missing this time around and the loss of atmosphere is enormous. To make up for this John Moore chooses to insert dream sequences. The dream sequences are a little bizarre
Okay, so this guy looks pretty cool, but what the hell is he supposed to be?
And what the hell is this guy doing? Sure the baby doesn't look so obviously doll-like in the actual film since it is shown so briefly, but the guy looks just as daft as ever.
Perhaps the most ridiculous part of the dream sequences however, was Julia Stiles forgetting how to brush her teeth.
Julia Stiles is actually pretty good here though. Prior to this I'd only ever known her from two of the Bourne movies and while she's still not up to the level of Lee Remick she makes a pretty good stab at this role.
But let's talk plot now. So the child is being brought up by his two adopted parents. The father knows that the child is adopted, but the mother, having apparently lost her actual child during a difficult childbirth, does not. The way that events seem to unfold to cause supernatural deaths in the "Omen" movies has always put me in mind of the "Final Destination" franchise, however never more so than the brand new death scene inserted into this remake.
Mr. Thorne knows that he will be accompanying the new ambassador to Great Britain. Accompanying? But I thought that was actually to be his role. Aha! First death required for the Antichrist child, Damien Thorne, to reach his destiny!
So we have some roadworks going on and we randomly have some guy dragging a manhole. The scene felt utterly bizarre to me. It was practically like the guy was taking his pet manhole cover for a walk. It just feels so ridiculously unnatural (not "spooky" unnatural, just "blooming idiotic" unnatural).
This bizarre manhole dragging knocks a prop out from the wheels of a lorry carrying huge amounts of petrol and you can imagine what comes next.
With Mr. Thorne having received his sudden promotion, the couple travel to their new house. The house is absolutely enormous in both versions of the film, but while the original has Mrs. Thorne jovially boasting that it's suitable for her as the potential future First Lady, the remake has the couple lacklustrely saying whistfully to each other "it's big. Isn't it big? Perhaps it's big." And I'm like "Of course it's big, it's effing enormous! Why are you being so blasé about being ludicrously rich?"
Before you know it, we've reached Damien's first party, where the nanny becomes hypnotised by the arrival of the evil black dog. In the original the dog looks like this:
Do notice the glint in the eye. That becomes heavily used with the raven (or possibly crow) in the sequel "Damien: Omen II". Now, I can't stand most dogs. I'm really NOT a dog person AT ALL. But even I can tell that the dog in the remake of "The Omen" is possibly one of the cutest dogs I have ever seen!:
Awww, don't you just want to pet him? ... I mean, oh of course, the soft violin music in the background clearly means he's evil. Obviously... (*SO CUTE!!!*)
Maybe the director is trying for subtlety? .... (ROFLMAO!)
The result of the dog's hypnotism leads to the nanny killing herself. Apparently they couldn't have her fall through a window when she hangs herself this time around, but we are supposed to be impressed by the way they've filmed her shoe falling off and falling down towards the camera.
What's interesting however is the reaction shots. In the original, the reaction shots of the crowd of birthday guests as the nanny calls Damien's name (before she kills herself) are shown as follows:
In the remake? Well first of all it's pretty similar. Mrs. Thorne once again, though she doesn't instantly rush to pick up Damien:
And then...
Yes, that's right! Some Punch and Judy dolls decide to look up. Is this supposed to be a comedy? Was this actually meant to be a spoof movie all along? Why are two puppets, i.e. two gloves with no actual eyes controlled by a person hiding out of sight, looking upwards towards a calling voice?
And here's an excellent opportunity to compare the two Damien actors. Let's look at them on their parent's shoulder in the aftermath of the nanny's death:
There's seemingly a pattern here of the new Damien looking mostly bored. And that's actually pretty consistent. I think he's been told to look blank-faced with the presumption that this will make him look evil, while Richard Donner has clearly had no issue with showing Damien regularly smiling. The reason why Damien is scary is not because he's a child who doesn't smile, but because we don't know what's going on in his head. We don't know what is behind the smile. At the end of the original Omen movie Damien's face goes from blank-faced to smiling and it's not the blank-face that is creepy. They are at a funeral. You'd expect a child at a funeral not to show so much emotion. But when Damien in the original movie smiles at the camera it seems pretty clear that Richard Donner is most likely telling him jokes in the background.
The new Damien ends the remake with this expression.
It's also worth noting that the original Damien is younger with the first movie's Damien, played by Harvey Stephens, having been 5 when filming and the new Damien, played by Seamus Davey-Fitzpatrick, having been 7. I know that's only 2 years difference, but at that sort of age it can make a big difference. The younger the child is the more the lack of clarity in their communication, even in basic expressions. The original Damien is happily in his own little world and goodness knows what is under the surface, but the new Damien provides us with a blank face yet seems quite clearly aware of and disinterested by his surroundings. The increase in maturity isn't exactly huge, but it's enough to change how we appreciate the child's expressions. Once again, I don't think the problem is necessarily the actor, but the director's decisions on how to use them.
In the remake, after Mrs. Thorne's bizarre dream about forgetting how to brush her teeth, she gets up to find Damien making a sandwich as a midnight snack. She's shocked to see him standing there, admittedly because the first thing she sees is him in the dark holding a knife, but it's not long before he's looking at the camera as if to say "whatever mum..."
The next few important scenes in the movie are all signs of Damien's evil. Firstly on route to a Church. Secondly at a zoo. Naturally Damien Thorne isn't keen on the prospect of entering a Church and the drive towards the Church involves him getting very disturbed and eventually going into a kind of violent fit. Sure, remake-Damien appears openly troubled. Not simply bored this time:
But the original Damien is doing rather more than pouting...
Damiens' at the zoo:
"ZOMG I AM SO BOOOORED! FEEL THE EVIL OF MY BOOOOREDOM!" thinks Damien.
"Teehee! I'm safe inside this car and you baboons are all afraid of me, sensing my evil power! Mwahaha!"
The attack of the animals is actually more impressive in the original too. In the remake we see a gorilla trying and, as far as we can tell, failing to escape from its enclosure:
In the original, the baboons swarm over the moving car!
A little earlier in the film we have already seen the arrival of Mrs. Baylock to replace the nanny who hung herself. The original movie had Billie Whitelaw playing this role. I saw her when doing my Hitchcock retrospective in a tiny part within the movie "Frenzy". It was a small part, but she absolutely stole the show while she was there. I've also seen her in "Hot Fuzz" as one of the members of the village council as well as in the fantastic mini-series "Shooting The Past". She's absolutely incredible in the original "The Omen" as a strict traditional nanny who is highly professional yet seems unwilling to accept no for an answer at some points.
Now I have to say that the creepiest thing for me about Mia Farrow in the role of Mrs. Baylock in the remake is that she looks quite blatantly like a woman who has been having Hollywood beauty treatments to keep her looking younger. She claimed that she'd been nannying for forty years and from what I could tell, that meant she started when she was about 12. In actual fact she was 61 when making the remake of "The Omen".
There's an odd decision to have her feeding Damien with strawberries before a vital scene. This is part of the film where Damien is responsible for knocking his pregnant mother off the landing into a potentially fatal fall to the hall below. In the original the nanny looks on gleefully as Damien rides around and around in circles on his tricycle. She then opens the door to the landing so that he can continue pedalling away towards the mother who, by a creepy coincidence is balanced precariously as she waters the plants.
In the remake however, the tricycle is changed for a scooter and so the idea that Damien wouldn't know exactly what he was doing is lost. He's looking straight ahead and he can see his mother. I would argue that the creepy thing about the original Omen movie was that Damien always just seems innocent even as deaths occur around him - and that includes the tricycle scene. In the remake Damien seems to actively aim his scooter in order to knock his mother offbalance, making him less of an Antichrist and more of a plain old murderer.
With Damien seeming mostly bored in the remake, the main villain of the piece ends up being the nanny, not because she seems any more evil, but more because Damien himself feels so utterly unthreatening. Even during the scooter incident, the instigator of the event appears to be the nanny. Unlike in the original where Damien was already busy on his tricycle and the nanny simply opens the door for him, in the remake the nanny seems to be the one to decide that Damien have a go on his scooter just as soon as she's finished feeding him strawberries. - Oh and when his mum hits the floor he flinches. Wuss! :P
I originally decided to stop watching during possibly one of the most tense scenes. It was partly because it had essentially become the "evil nanny show" by this stage (as opposed to the "evil child show" that I'd been expecting), but it was also because of the way Julia Stiles showed her suffering. In the original the nanny has managed to sneak into the hospital and throw Mrs. Thorne out of the window. In the remake she gets a syringe and injects air into her drip while Damien um... hypnotises the security guard? Anyway, Julia Stiles is watching the air bubble flow through the drip into her bloodstream and the look of terror on her face produces possibly the only genuinely disturbing moment of the whole film.
It felt more nasty than fun, since to be frank, the villains here are not really up to scratch. Mia Farrow is doing a good enough job in her role (though her plastic surgery is seriously weirding me out in the wrong sort of way), but she's not been in the movie long enough to establish herself as the villain. We're clearly supposed to be creeped out by Damien Thorne and in this remake he seems mainly bored rather than evil.
And don't get me wrong. Mrs. Baylock is certainly extremely creepy in the original "The Omen". And she turns out to be a much more formidable here in this fight with Mr. Thorne in the original movie:
As opposed to her rather easier demise in the remake:
(That might be less clear than the other images. That figure
doing a loop-the-loop in the air is Mrs. Baylock after being hit with the car.)Just a few more stupid things to point out before I wrap up this review with the inevitably low score. While Mrs. Thorne is being brutally murdered back in England, Mr. Thorne has travelled to Italy to seek out the priest who persuaded him to adopt Damien in the first place. He has discovered that the maternity ward was consumed by fire, but the priest is still alive, covered in horrible burns. Recognising that they simply didn't have the budget to do burn prosthetics, the original movie mainly keeps the priest offscreen only very briefly flashing this shot of his face:
However, in the remake they are clearly very proud of the effects work they've done and the camera fixes on the burnt priest to reveal that he looks just like an Orc from "Lord Of The Rings"!:
The climax of the movie is, of course, Mr. Thorne being shot by a policeman as he tries to murder his son with special Meggido knives. I'm actually a little puzzled as to how a policeman armed with a gun ended up arriving so fast. Ordinary police do not carry guns around with them and a speeding car would be no reason to send an armed response. So the remake, still set in England, is even more bizarre since Mr. Thorne is put down by an entire armed response team armed all trailing laser-sighted guns on him:
There's an attempt to tie everything that is happening to the Vatican and I can only presume this would have become relevant in a sequel since the vatican priests do absolutely nothing here. I suppose they are mainly for exposition since they find a set of comets which apparently herald the apocalypse along with 9/11 and the Asian tsunami. (Apparently the twin towers during 9/11 are referenced in scripture as mountains of fire. Yeah, I think that interpretation is a bit of a stretch...)
Basically this remake had nothing to add to "The Omen" and in spite of some great talent in some of the smaller roles, the film is only a pale imitation of the original seventies classic (which I certainly didn't think was perfect). Many fantastic elements from the original like the awesome soundtrack are left out of this version, yet the film is shot practically scene-for-scene the same as the original. Some decisions for changes are utterly ludicrous and, perhaps most unfortunately, the central child is not creepy. The director has completely failed to understand the appeal of the original version of "The Omen" and as a result the final product is almost entirely devoid of merit. I feel very sorry for all the actors involved who were clearly doing their best in spite of the hack director in charge.
In short, *phew* thank goodness that's over!
E-So the final rankings of the movies in the two movie series of "The Omen" and "Child's Play" are as follows:
1. Bride Of Chucky (1998) A+
2. Damien: Omen II (1978) B+
3. Child's Play (1988) B+
4. The Omen (1976) B-
5. Child's Play 2 (1990) B-
6. Seed of Chucky (2004) B-
7. Child's Play 3 (1991) C-
8. The Omen III: The Final Conflict (1981) C-
9. Omen IV: The Awakening (1991 TV Movie) D-
10. The Omen (2006) E-