Director Showcase: Joe DanteOkay, it's taken a while, but what follows are reviews for every single movie Joe Dante has ever made. This is also available as three separate posts at
candycorncomm.
Piranha (1978)The earliest Joe Dante film I know of is a Roger Corman produced feature; the original version of Piranha. There was a sequel from James Cameron (which he abandoned before it was finished) featuring piranhas that can fly which, perhaps most bizarrely of all, they decided to play straight. There's since been a third sequel in 3D which has somewhat mixed reviews.
It seems to me that Pirahna pretty much set up the style of Joe Dante movies for his whole career, not in the sense of being low budget and daft (well, possibly daft), but in the sense of it being a light-hearted combination of horror and comedy.
There were quite a few points where, just as I thought I was going to be groaning with despair, the film would surprise me. For example there's a scene where a male character casually tells a female character to distract the guard with her feminine wiles. *eyeroll* Thankfully she questions it... just not in the way you'd expect. "But what if he's gay?" she asks. "Then I'll distract him," replies her male friend. Sure, the guard doesn't turn out to be gay, but that doesn't stop our female character amusingly bringing it into the conversation. "Um... are you gay?" "What?!!" Okay, so not a terribly subtle script, but very amusing all the same.
It's great to see an appearance from Kevin McCarthy, star of Invasion of the Body Snatchers. He seems to appear in a number of different Joe Dante movies and he's had a very long and entertaining career. Asides from "Invasion of the Body Snatchers" I think I've only ever seen him do comedy roles (perhaps the biggest of which being the villain in "UHF" the Weird Al Yankovich movie). Here he turns up as a scientist left to handle the threat of the piranhas when the project was discontinued.
Another old star to appear here is Barbara Steele, who was previously seen in Roger Corman's classic "The Pit and the Pendulum". I wouldn't say she gives an outstanding performance, but there's something cool about seeing her return and she's certainly a welcome addition to the cast. Dick Miller is another actor from older Roger Corman movies, appearing in a brief section at the beginning of "The Terror" (which, to my mind, was more impressive than the rest of the film), playing a fairly important role in the original "Little Shop of Horrors" and also appearing in "Bucket of Blood" (which I think I might put on my "to watch" list). Dick Miller has, to my knowledge, appeared in every single film Joe Dante has ever done. He's excellent here is an entrepreneur who is, unsurprisingly, sceptical about warnings of a shoal of hungry piranhas making their way towards his newly opened resort.
The piranha deaths are sometimes pretty inventive, if not always bound by logic. How long someone survives the ravages of the piranhas varies dramatically. If one person in an inflatable dinghy can recognise that they are being bitten and move to safety, you'd have thought that someone simply dangling their legs into the water could have moved away before their legs were eaten to the bone.
The pacing isn't always great. Often we are simply waiting for the inevitable piranha attack and the protagonists have no real plan of action. The plot is pretty simple, but often it feels like a case of one thing happening after another. It's a bit directionless. The film is very spoofy and not always in a good way. While there are some endearing characters and some inventive parts where the movie avoids or subverts the typical cliches, there are also some rather more awkward parts where events just happen.
Overall, this film is good fun and well worth a watch. I just wouldn't consider it a classic. It's a good solid movie.
B (Solidly good movie)The Howling (1981)I have already written a review for "The Howling". It was originally posted here. I've re-posted the review below:Any list of the very best werewolf movies seemed to provide only a very few choices. The obvious choice is, of course, "An American Werewolf In London" which comes up just as inevitably as "It's A Wonderful Life" appearing in a list of Christmas movies. Another choice quite often picked out is the excellent "Ginger Snaps" and others will pick out "Dog Soldiers" (which I personally was underwhelmed by, but nevertheless seems to have a cult following). However, another title which often gets suggested in such lists is "The Howling" from Joe Dante (director of Gremlins).
While it had its moments it also had its flaws. The characters felt poorly defined and there were an awful lot of them. The movie is not, from what I could see, intended as comedy. It would perhaps have been better if it were (after all comedy didn't harm American Werewolf or Ginger Snaps), since the over seriousness meant that I found myself feeling all the more cynical. Most of the characters seem very weird and while their various idiosyncracies do get explained later, it doesn't feel like the most satisfying explanation. Meanwhile, Dick Miller (who appears in most, if not all, Joe Dante movies) manages to completely steal the few scenes he's given. The female lead screeches a lot, though often with good reason, but by the time we reach the latter scenes the amount of screeching seems to be unnecessary.
The first werewolf changing scene in the movie looked a bit naff, but it turned out that they were saving their big guns til later. That said, when watching the final werewolf change I was going "wtf", while my gf was saying "that's what turning into a werewolf looks like if you have bad eighties hair".
So yeah, the down sides are: a whole array of similarly unengaging characters, acting which often feels a little off or a lot over the top, poor pacing and a general failure to pull me in. On the positive side, some of the performances are actually pretty good (including the female lead, in spite of the aforementioned screeching) and the werewolf changing effects are pretty cool (which is, let's face it, what we are really there for). All in all though, I'm going to have to rate this one as average.
C- (Bog-standard, Average)Twilight Zone: The Movie (1983) (Joe Dante responsible for segment 3) Four classic directors, John Landis, Steven Spielberg, Joe Dante and George Miller team up to do a combination of short pieces to celebrate and renew interest in "The Twilight Zone".
So we have John "Blues Brothers/American Werewolf" Landis and everyone-knows-Steve as the well-known names. Meanwhile Joe Dante (having so far only released Piranha and The Howling) and George Miller of Mad Max fame, are the relative newcomers.
John Landis does an okay job. He's responsible for the long-winded intro which, admittedly, ends quite well. He also does the first story about a bigot who finds himself in the shoes of those he wished to ridicule. It's all a bit daft, but its quite effective. Having an anti-semite running away from Nazis is all great fun.
Sadly, having now got things going, this is followed up by Spielberg's piece which really takes the wind out of the sails. Now admittedly Twilight Zone had all sorts of weird stories, but Spielberg's weird story is pathos-ridden garbage. Old people who are upset with what their lives have become in their old people's home find inspiration from a mysterious black man with magical powers. He's the only black man amongst them, so clearly he's going to be magical. *facepalm* The whole segment was overly sentimental and generally pretty dull.
Thank goodness for Dick Miller. His appearance made instantly clear that this was Joe Dante's segment and he has such wonderful onscreen charm that he really helped me get back into the right frame of mind. Without giving too much away, the theme of this segment is mixing horror with cartoons. A mysterious boy introduces a teacher he meets to his bizarre family who seem to be afraid of him. It's not sure what's going on, but cartoons seem involved somehow and the words "anything can happen in a cartoon" are strangely haunting. Some wonderful use of effects by Rob Bottin (effects guy for The Thing) as you'd expect.
The final segment is by George Miller. John Lithgow plays a man who is afraid of flying. Just as he's finally calming himself down, he sees something on the wing of the plane... some kind of monster. John Lithgow's wonderful comic timing and expert delivery just makes this work so well. You can se all the emotions rush across his face as he nervously wonders whether he is suffering from paranoid delusions or if he is actually the only person who recognises the threat. This last segment is simple but very very effective.
Overall the film is mainly let down by a single quarter and, to be quite frank, Steven Spielberg should be ashamed of his contribution. One quarter of a movie is quite a sizeable chunk and I don't really feel I can afford to ignore that. However, even with that notable issue the strength of the other three offerings makes this a good solid movie overall in spite of it.
B-Gremlins (1984)This is one I saw growing up and it's one of my all-time favourites. Having first seen and loved this at the age of about 8 years old, I consider it very much a children's movie, but the age-certificate in the UK is 15 and with good reason. The Gremlins having eaten after midnight (come on, everyone KNOWS that's going to happen, right?) are blooming scary. Still, there's a great sense of fun and the Gremlins are quite cartoon-like (with "tweeting bird" noises when they are hit on the head, for example). I've written more about this in my post on the
top 15 horror comedies. It's a childhood favourite and I still consider it one of my personal favourite films of all time.
A+ (Excellent)Explorers (1985) This is one I hadn't seen before, though oddly I kept seeing a picture book for children telling the story along with photos from the movie all over the place. I found it very odd that one of characters was called Wolfgang, so it was a relief to find that the oddness of this name is rightly pointed out from the moment it arises. (Rather more urgently, we need someone in a movie to criticise the name "Zac". Seriously, what's up with that?)
Explorers features Ethan Hawke as a child actor. He plays a child who is obsessed with old sci-fi movies (so this represents you then, right Joe?) who sees the schematics for some ultra-advanced technology appear in his dreams. He tells his friend Wolfgang about what he saw. Wolfgang is a child prodigy and the son of some eccentric German scientist immigrants. Another child joins the gang when they run away from some bullies at school. Together they discover that they can use this new technology to make a floating craft, but the information had to come from somewhere....
The bits where the children are learning how to use the technology is great. First they just have a dot of energy which they can throw around the place and which frightens the cat. They learn what else they can do with this energy and experiment with it and this is all great fun. However, it's all leading to the point where they discover where the original dream came from and sadly, even with Rob Bottin (The Thing, Total Recall) doing the effects, the ending just cannot live up to the build-up. The take on... um...
*mild spoiler*.... aliens ....
*end of mild spoiler* in this movie is admittedly quite clever and fairly new. However, I simply didn't consider it a satisfying ending. And endings matter. A lot.
Overall this was pretty good fun, but in spite of some clever ideas and some endearing characters, it's all let down by the ending. It's also a little cheesy and that was something I was willing to forgive because I thought there would be a decent pay-off at the end. Without a decent payoff, this had a lot of saldy missed potential.
C+ (A few elements holding it back from being a solidly good movie)Amazon Women on the Moon (1987) (Joe Dante responsible for segments: "Hairlooming", "Bullshit or Not", "Critic's Corner", "Roast Your Loved One, " "French Ventiloquist's Dummy" [TV cut only] and "Reckless Youth")This starts off very well with John Landis' wonderful slapstick sketch. There's a particularly wonderful sketch about dating. However, the movie as a whole is a bit of a mixed bag. Joe Dante's contributions aren't really the best. "Bullshit or Not", a "mystery" programme looking into the possible identity of Jack The Ripper, is great, but "Roast Your Loved One", where a set of comedians are employed make jokes about the deceased at a funeral, seemed to fall pretty flat.
Sadly some of the weakest parts of "Amazon Women On The Moon" were those elements repeated most often. Perhaps nothing is quite so pointless as the central science fiction story, but to be fair that's the point. The sketches are supposed to be an interruption to the "main feature".
At the end, Joe Dante suddenly ambushes us with perhaps one of his best contributions. An old 50s announcement where Carrie Fischer is used as an example of a woman suffering from a "social disease". When we are led down into a dingy basement with a flaming torch to see other examples of what a "social disease" can do to you, it's clear that Joe Dante is right in his element.
On the DVD it seems that Joe Dante had a great sketch with Dick Miller oddly missing from the final cut. Dick Miller plays a ventriloquist who finds his dummy has been accidentally mixed up with a french dummy that doesn't know the lines.
There's also a cut scene from the "roast your loved one" sketch where Robert Picardo sets up the premise. To be honest, I think that context might have made the comedy work a lot better.
While overall "Amazon Women On The Moon" features more hits than misses, there are rather more misses than I'd have liked. This is a good fun movie and even better if you get a DVD with Joe Dante's deleted ventriloquism scene. It's a good fun watch, but sadly the whole is not as great as the sum of its parts.
B-Innerspace (1987)I haven't reviewed this one at all before, but its another childhood favourite. It's very good, though not as good as the Gremlins movies and it's rather cheesy. The cheesiness is partly to do with the strange premise but also because it's not dated terribly well. As per usual the bits that date worst are bits with computers. Outrageous technology like a shrink ray or facial alteration are easy enough to accept, but the bizarre password-cracking scene? I wasn't impressed by that.
The basic gist is that Dennis Quaid has chosen to be a test subject for a shrink ray. He's in a machine which will allow him to swim around inside a rabbit's body. Unfortunately terrorists decide they want a piece of the action and so a dying scientist with a syringe containing Dennis Quaid in his now-tiny high-tech submarine injects Martin Short with it. Martin Short is prone to extreme anxiety and seems like entirely the wrong person to get caught up in a scheme to escape from terrorists with the latest in military technology. Hi-jinks ensue...
Someone was recently asking what good movies Meg Ryan had starred in and this probably a pretty good choice. Meg Ryan certainly knows how to play a more interesting love interest, but the romance aspect of the film still felt a bit cheesy to a cynic like me. Overall this is a really good fun movie, but I don't think it's perfect by any means. Still, it's a must-see for any true sci-fi fan.
Oooh and Kevin McCarthy is in this one too!
B+ (Very good. Not quite excellent.)The 'Burbs (1989)This is one that passed me by, though when I was younger (presumably after seeing it at the cinema) an elder peer of mine was raving about it. I would definitely have been too young to see it in the cinema though, as with many Joe Dante movies, I think it would have suited a child just fine. That said, in this film the protagonists are proper adults who are childish rather than early twenties young adults like Billy Peltzer in the Gremlins movies. As with Explorers, this is a film that I hadn't ever seen until now.
The premise is that a new family recently moved into the neighbourhood and everyone's a bit unsure how to react. They know that the new neighbours have an unusual surname, but also their lawn is pretty much dead, their house is dilapidated and there's a crooked dead tree outside the house. In spite of all this no one has heard from these neighbours and they seem happy to remain indoors and only seem to come out at night. Essentially it's like if the Addams Family moved into the neighbourhood and Gomez and Morticia never felt the need to say hello.
In some ways "The 'Burbs" is probably closer to the spirit of the old Addams Family tv series than the, admittedly excellent, movie was. The whole idea of "The Addams Family" was that, while the family were creepy and bizarre in the extreme, the joke was always on visitors. While we laughed at Gomez using two different clocks to tell the time or the helpful hand in a box known as "Thing" we were always on the side of the Addams when visitors came around and were freaked out by them. The Addams Family didn't shy away from playing up to stereotypes either: Gomez is known, on occasion, to claim that he voted for political figures twice and the idea that the Addams are hoarding large sums of money was not a new invention for the movie. In the TV series, the Addams even have prejudices of their own, with Morticia exclaiming "it's so unbecoming" when Grandmama Addams masquerades as a gypsy. The point is that the Addams family were always depicted as flawed yet loveable in spite of their ultra-peculiar "foreign ways". The Burbs shares in this because, while we are constantly thinking there must be an explanation for the bizarre ways of these new neighbours it becomes increasingly hard to explain their behaviour. Unlike in the Addams Family, however, we are not in the know. We only see a surburban house that somehow looks like the equivalent of Castle Dracula.
Tom Hanks stars as the actual next door neighbour who is unsure how to react. His friend Art (played by Rick Ducommun - who many will know as the more talkative drunk from Groundhog Day) insists on increasingly bizarre conspiracy theories which another neighbour with a military background (played by Bruce Dern) is far more easily taken in by. Together they find themselves snooping on the elusive neighbours and pushing each other into greater and greater levels of paranoia. But at the same time, it's not like there's no cause for suspicion either...
Meanwhile another character who must not be forgotten, Ricky (played by Corey Feldman, Billy's friend in Gremlins), views the childish behaviour of his spying neighbours as entertainment. He starts off by encouraging his girlfriend to watch the carnage with him and ends up inviting even more people to watch the inevitable carnage.
Being typical Joe Dante, this movie once again contains short clips from other movies. Tom Hanks, trying to watch tv to take his mind off his friends' mad theories finds "Race With The Devil" is showing on television. When he tries to change channel he is faced with "The Exorcist" and "Texas Chainsaw Massacre 2" on the other channels.
"The 'Burbs" is an excellent comedy that has stood the test of time well. Not a horror comedy, but riffing off of plenty of horror movie ideas. The similar movies Imdb recommends are "Fright Night" and "The Lost Boys" (then oddly the 80s version of "The Cat People" and Christopher Smith's "Severance"). I can definitely see why there'd be a connection with Fright Night: New neighbours. Somewhat creepy. Are they suspicious? Let's go investigate! Except this time the audience isn't going "of course they're vampires! Why won't anyone listen?" :P
I cannot deny it, I was in hysterics during this film. While I'm sure few will agree, I'd say that this is the sort of film Tim Burton thinks he's making, but never actually achieves. It's that same combination of a gothic style along with comedy, only without Burton's overblown sentimentality. The Burbs isn't a particularly deep movie, but it is a hell of a lot of fun. The humour is brilliantly paced so that by the time we actually get to go inside the Klopecks' house our interest is piqued. But part of the fun is that we don't know whether they'll be just as creepy on the inside of the house or whether they'll just be ordinary people. I'll leave that for you to find out.
A+ (Excellent)Gremlins 2 (1990)So everyone's seen this, right?
No?
Okay, well this was pretty much the perfect follow-up to Gremlins that could ever be brought out by someone who didn't intend on this becoming a big long franchise.
We have a change of setting to a massive high-tech corporation building. Why that location? Well for one thing it means that you can have pretty much anything so long as you could envisage your meglomaniac entrepreneur ever thinking it was a good idea. So we have tv studios, health food bars, talking elevators, self-emptying ashtrays, a voice-activated reminder to wash your hands in the toilets and even a calm trailer-guy style fire alarm announcing:
"Fire! The untamed element! Giver of warmth! Destroyer of forests! Right now, this building is on fire! Leave the building! Reenact the age-old drama of self-preservation!"Billy Peltzer now works in the art department. And Christopher Lee is head of the genetics engineering department....
...'Nuff said.
The corporate nature of the whole building means that we can have a lego Gremlin, a film critic being attacked for giving a bad review to the first movie and we even have a point in the middle where all logic is ignored and the Gremlins take possession of the cinema itself. Hulk Hogan makes a celebrity appearance to force them to put the movie back on. Joe Dante takes all the cheesy corporate franchise stuff and makes fun of it. Everything is taken to the furthest extreme so that a third movie could never happen.
However, that's not to say that there isn't a coherent storyline. There are well-formed characters and a clear plot moving from A to B. It's just that there's absolutely no limit to the madness that can happen in between. If you enjoy the first Gremlins film, you cannot afford to miss this.
A+ (Excellent)Eerie Indiana (1991-1992)Why the hell was there only one series of this? Such a great way to finish the series of Joe Dante's work since this has everything that is great about his work. Created in between Gremlins 2 and Matinee it feels like this was Joe Dante's golden era. I actually had seen the first episode about a family who keep themselves preserved in tuppleware before.
The leading role of Marshall is played by Omri Katz, who would go on to take the lead role in Matinee. However, real credit needs to be given to Justin Shenkarow who does a great job as his partner in crime, Simon. I was convinced that I'd seen Jason Marsden, who plays the mysterious Slash X towards the end of the series, in something before, but he actually mainly does voice work for cartoons and videogames (and appears to doing pretty well with that too).
Eerie Indiana is a comedy about a place that is supposed to be the most ordinary boring place in the world, yet Marshall and Simon discover it is actually the weirdest place on the planet. Bigfoot, Elvis and telepathic dogs are all fairly typical features. Each episode riffs on a new horror theme and sometimes references to classic horror movies are just randomly inserted into an episode. The whole thing feels like a cross between the randomness of Twilight Zone and the "kids solving stuff that adults miss" formula from Buffy. Essentially it's a pretty similar format to the first Buffy series (only Eerie Indiana came out more than 5 years earlier) and for absolutely no good reason, there's no second series of Eerie, so we have no idea if it would have progressed in a similarly successful way.
The series has way more hits than misses, it regularly had me laughing out loud and even though Dante only directed 5 episodes out of 19, it feels like he had his stamp on the entire project. (Heck, he even has an acting role in one of the episodes directed by someone else.)
If you love Joe Dante's work like I do, you really need to check this out.
A+Matinee (1993)It's a fairly dull title, so I wasn't sure what to think. However, out of all of Joe Dante's movie this is easily the highest rated on Rotten Tomatoes with 92% (a great deal higher than my personal favourite "Gremlins" slumming at a mere 79%). However, I quickly became excited when I heard that this was referring to the old monster movie matinees that cinemas used to run. The quote which titles this post is from the movie-within-a-movie in Matinee and with that much revealed I think I'll leave the actual title a surprise.
There are mixed opinions on John Goodman, but personally I think he's brilliant and certainly capable of great things when he's given the right role. This was definitely the right role. The first time we see him he's announcing the arrival of his new monster movie about (as the quote above says) "human/insect mutation". He promises that the movie will involve various gimmicks including the actual cinema shaking. It turns out that many of the gimmicks he uses are based on those employed by a real life horror director called Bill Castle.
Who better to direct a movie about monster movies than Joe Dante? Particularly an homage to a classic cheesy horror movie director. But there's more behind "Matinee" than this. The arrival of this new "revolutionary" monster movie spectacle coincides with the threat of nuclear war. Early on in the film we have a conflict whereby our protagonist is keen to tease his younger brother about the threat of radioactive monsters, but is very concerned that his brother should not allow himself to be frightened by the possibility of a nuclear explosion. John Goodman at one point appears to refer to the nuclear threat as "the competition" when it comes to scaring the audience.
There are various characters whose lives become intertwined around the showing of the increasingly legendary upcoming monster matinee. I won't go into details on all of them, but I will say that I was quite impressed by Kellie Martin who comes off remarkably similar to Sarah Michelle Gellar in Buffy the Vampire Slayer. Her character is, suitably, rather like Buffy is supposed to be
before she discovers her vampire-killing responsibilities.
Dick Miller is in all of the movies mentioned above, but I thought it was a particularly cool cameo in this particular movie. He appears handing out leaflets and warning everyone about how the new monster movie will corrupt their youth. Another actor who appears in quite a few other Joe Dante movies is Robert Picardo. He has quite a big role as a heartless manager in Gremlins 2 and he's also pretty well known for his role in Star Trek: Voyager (which I'm unfamiliar with, but I recognised the image of him in the uniform all the same). In "Matinee", Picardo plays the cinema owner who is rather more worried by the threat of nuclear war than with John Goodman's b-movie. I have to say, during the film I was convinced the part was being played by Jeffrey Combs (of Re-Animator fame).
Oooh and also, blink-and-you'll-miss-it, one of the films-within-a-film contains none other than... Naomi Watts.
Yes, it's really her. No, I couldn't believe it either...
Anyway, while Gremlins still holds a cherished place in my heart, I have to give this film full credit. It was very funny, emotionally moving and it felt like the tribute to old horror and sci-fi movies that Joe Dante always seems to be trying to make. No matter what else, it's clear that Joe Dante personally needed to make this movie. I think you can feel his passion behind this and the end result is a lot of fun. If you see one Joe Dante movie without "Gremlins" in the title, it probably ought to be this one.
A+ (Excellent)Small Soldiers (1998)This came out around the same time as Toy Story and I'm still not entirely sure which of the two I liked better. (I'm inclined to say that Toy Story 2 was a step up in that franchise.)
The story is that a military technology company buys out a toy company and a military microchip is used in some toys. The toys featured are toy soldiers (voiced by the Dirty Dozen) on the one hand and strange alien creatures called Gorgonites on the other (voiced by the members of Spinal Tap).
Gregory Smith and Kirsten Dunst are distinctly "okay" as the child actors who we follow around in this story. Is it problematic that the fake toy characters feel more real than the central characters?
There's a few issues with the pacing, but asides from that this movie is really good fun. Any of the effects work is good fun and inventive, but sadly the way things progress doesn't always feel as smooth as it ought to, so I didn't feel that I was always as caught up in the action as I'd like to be.
It seems that Small Soldiers was a lot quicker than the Toy Story franchise in bringing in barbie, but with Joe Dante controlling the action, their inclusion is rather nightmarish. (That possibly explains why they are called "Gwendy" dolls in the movie.) The (evil) Barbie dolls are voiced by Christina Ricci and Sarah Michelle Gellar.
By far the coolest character in the movie is the leader of the Gorgonites (the only non-"Spinal Tap" Gorgonite) played by Frank Langella (i.e. Skeletor, Nixon and Dracula- oh yeah!). Langella brings is closest to him calm Dracula voice here (and since it's not his face, it isn't accompanied by the 'is it charming or is it creepy?' smile).
That said Tommy Lee Jones is quite distinctive as the leader of the toy soldiers. (The other non-"Dirty Dozen" toy soldier is played by Bruce Dern.) There's something about Tommy Lee Jones ordering troops around in a military voice that is really effective.
I'm not sure what Denis Leary's reputation as an actor is like. (My parents seem to be fans of the TV series "Rescue Me" which I believe he plays a pretty big part in.) My experience is that he's very good at playing arseholes. Whether it's the all-powerful crime lord in "Judgment Night" or this unscrupulous military technology businessman in "Small Soldiers" he has no trouble convincing me that he's completely amoral and thoroughly unpleasant. Leary doesn't have a big part in "Small Soldiers" but I thought he did a great job while on screen.
The use of the Spice Girls song "Wannabe" for military purposes felt out of place back when I first saw this. All this time later it feels even more out of place since many new viewers may not get the reference.
Overall this was good solid fun, but the effects rather outshone the live-action cast. As a result, threats to animated characters would often be more emotionally stirring than threats to live-action characters. With most threats being aimed at live-action characters, this didn't work out well. Still, the live-action characters aren't too bad and the film is good fun, even if it didn't pull me in as much as I'd have liked.
B-Looney Tunes: Back In Action (2003)Okaaaaay. Bit of a mixed bag this one.
I was prepared to be reasonably hopeful about this one for several reasons. 1) It contains Daleks. 2) It contains Kevin McCarthy (from Invasion of the Bodysnatchers, UHF and Joe Dante's section of the Twilight Zone movie). 3) Um... Joe Dante is the director.
Yeah, I was pretty much hoping on a wing and a prayer, but to be honest there were odd little bits in this film that were just brilliant.
Best bit in the entire movie (and I have admittedly posted this already - yes, that's how long ago I saw this film) is Bugs Bunny's reenactment of Psycho:
(video link)So is that everything worth seeing in the film then? Well... not quite. There's a number of very good scenes. But first of all I feel that I ought to explain what definitely ISN'T any good in this film.
1) Brendan Fraser....
*gasp* "But he's really funny in other stuff!" ... Um.... that's what everyone was thinking, right? Heck, I was. I thought he was really good in "The Mummy Returns" (Just me? Okay....), I thought he was pretty funny in "Bedazzled" (especially after that one wish where he can suddenly speak Spanish) and I don't think anyone can deny that he made some of the funniest guest appearances on Scrubs.
But in this Looney Tunes movie? I'm afraid I didn't find him funny at all. He occasionally had a funny line and I'd listen to it and only notice that it was a funny line after the pause for laughter had passed me by. He just seemed to have no comic timing.
The problem wasn't even the script. Bugs and Daffy's banter with one another would often be pretty funny, but Brendan? *shrugs*
2) Third act problems. Yeah, movies often have that, but I have to say that in the last act I vaguely remember a runaway train and a bomb and all sorts, but I have absolutely no idea what actually happened. That is really NOT good.
3) Steve Martin. All previous problems pale by comparison to this one. If there was one person who sucked all the humour out of the movie it was Steve Martin. Basically times my issues with Brendan Fraser in this movie by about one million. He not only failed to show any ability in terms of comic timing, but actively lowered the mood of the whole film. I am actually prepared to go out on a limb and say that this film might be worth recommending if it weren't for Steve Martin's presence in it.
So, with the negatives out of the way, let's talk about what is good in this film.
1) Timothy Dalton. He has some rather naff stuff to do in the final act of the film, but when he first appears leaving a video message for his son (played by Brendan Fraser. Yeah, moving on.... ) while simultaneously fighting bad guys and hurling grenades, he's just awesome.
2) The whole scene in Area 52. Turns out Kevin McCarthy is only doing a cameo, but it's great all the same. Meanwhile the head of the Area 52 operation is led by Joan Cusack (who is brilliant). When the monsters escape naturally, what with Joe Dante being a classic horror movie geek, one of them comes from "This Island Earth". (Not only did they redo the Metaluna Mutant brilliantly, but one of the guys involved
has a deviantart account.)
3) Obviously with Kevin McCarthy, Joan Cusack and some rather awesome monster effects all compounded into one point, I'm struggling a little to top that with this third point. However, I think it needs to be noted that the banter from Bugs and Daffy in the movie is actually really good. Admittedly you are talking to the guy who finds the
new Giant Robot Love song absolutely hilarious, but the point is that a movie centred around Bugs and Daffy needs to make the most of its central characters and I think, to be absolutely fair, this movie does.
Sadly, I have to finish by admitting that this film sucks. I'm still putting MOST of the blame on Steve Martin, but he can't be blamed for all of the problems. Not all of the slapstick running around works. There's a random music number that falls rather flat and the whole thing is a bit lacking wind in its sails. Still, as I said, there are several bits that are quite inspired. Once you've seen the Psycho reenacment above and
the Area 52 scene you've pretty much seen the best the film has to offer. Even if you count the odd little good bits elsewhere in the film, we're talking about a 90 minute movie with no plot of which two thirds is basically filler between jokes. That's really not very good.
Though interestingly
the deleted scenes show that this was clearly a pretty compromised work. Just
check out how Joe Dante originally wanted the movie to begin!
D-Masters of Horror: Homecoming (2005)Now this was pretty fun. Joe Dante is quite keen on combining horror and comedy, but that's not really what he did here. By his own admission, the horror only really comes from the concept: zombies. (We all love zombies, right?) I'm not going to give away what the zombies do, but it seems that Joe Dante was pissed off by George Dubyah Bush's presidency as much as the rest of us. Robert Picardo gets to be Karl Rove and Thea Gill gets to be absolutely incredible as Anne Coulter.
Admittedly none of the characters are known as the figures they are blatantly playing within the short film, but they don't need to be. If there's one thing you don't have to worry about here, it's subtlety. The message is fairly straightforward and there's no risk of a reference to Fox News or Guantanemo Bay passing you by. However, it's all a pretty clever idea and while the amount of time that's passed might take the impact away a little bit, the whole concept is quite amusing. I actually wish there'd been even more Thea Gill though. Her whole performance is absolutely brilliant. (IMDB reckons that one of the four things she's most well-known for is starring in a Uwe Boll movie. Someone seriously needs to correct this and fast.)
The ending of this is a bit cheesy, but then again so is the whole thing. It's cheesy satire from start to finish, but it's funny and original and, what can I say? I loved it.
B+Trapped Ashes (2006)To be absolutely fair to Joe Dante, this is five stories directed by five different people i.e. not him. All he is responsible for is the join in between and those joining bits are great. It's all the same actors, but somehow they seem to be much more entertaining when Joe Dante is directing. No surprise there... However, what holds together Joe Dante's connecting scenes is an excellent performance from Henry Gibson, one of Joe Dante's regular actors (like Dick Miller and Robert Picardo).
Of the individual stories in Trapped Ashes the best has to be the killer breasts storyline, directed by the recently deceased Ken Russell. It's really great fun and to be honest it's the only reason to watch Trapped Ashes. (Joe Dante's section isn't allowed to get very exciting in case it detracts from the main action. Even though it's actually more interesting than the short films even without much in the way of effects work.) I'm ashamed to say that of Ken Russell's work I've only really seen this and "Altered States" (oh my goodness I hated that film - particularly when a short clip from it was
giving me nightmares as a small child).
So yeah, the other stories are boring and I wasn't too impressed by the acting either. All in all this was pretty lame and one good story wasn't going to save it.
E-Masters of Horror: The Screwfly Solution (2006)Okay, so while Homecoming was only horror in terms of concept and was mainly played for laughs, this is absolutely horrific and has no humour at all. By the end, I suddenly realised that this is the most miserable film in Joe Dante's entire filmography. It's not bad, but it doesn't really feel like enough happens.
The premise is that something introduced into the atmosphere has caused men affected by it to kill every single woman they come into contact with. The men affected come up with a new misogynist sort of anti-procreation cult to justify their behaviour called "Sons of Adam". The situation is compared to a method used to reduce the population of screwflies.
Nothing wrong with the acting. Like I said, it doesn't feel like the story really goes anywhere. All in all this is actually pretty good, but oh my goodness it's so blooming miserable. Ugh.
So yeah, pretty solidly good episode. Don't watch when depressed.
B-The Hole (2009)I have already written a review for "The Hole". It was originally posted here. I've re-posted the review below:An attempt at horror-for-kids. Though we shouldn't think this is some new experiment. This is, after all, coming to us from the director of "Gremlins". (And the love interest is called Julie too!)
Two boys and their single mother have moved to a rural setting and aren't happy with the change. What's more there's a random hole under the house that, when they first find it, is covered by a trap door bolted to the ground by about five or six large padlocks. The hole definitely has something supernatural about it, but what is it?
Weird stuff starts happening (which began to raise my "ghosts without proper rules" alarm), but it's quite a tight script with everything linking together rather nicely. Some of the lines pull you out of the action a bit. The idea of the girl next door whose just been had an encounter with a strange young girl in white who "doesn't want to die" happily saying a few hours later "You've got a gateway to hell in your basement... and that is very cool!" Still, there's no doubting that this is great fun, acted well and well worth watching.
It's got everything you'd expect from the this sort of film, it flows well and it's imaginatively put together. It's just not a masterpiece.
B+ (Very good. Not quite excellent)X-posted in parts
here,
here and
here.